Hannah Silverman is a Brooklyn-based writer and filmmaker. She earned her BFA in Film & Television with a minor in Creative Writing from NYU. She is an Editorial Assistant at Pigeon Pages Literary Journal. Her prose appears in Pigeon Pages, HASH Journal, and 3Elements Review.
She collected elephants. Paintings, figurines, magnets, key chains. A crystal candy bowl with tusks and a trunk. Grey slippers with big, flapping ears. The entire two-bedroom condo like a shrine, a zoo.
It made the holidays easy. We never wondered, what would great grandmother want? Only, does she already have a Dumbo t-shirt?
In her final years, she started to downsize. Every visit was, do you have a use for this elephant paperweight? and take one elephant before you leave. She displayed the most valuable treasures for our appraisal. Elephant-shaped jewels and wooden statues hand-carved in Africa laid carefully across the freshly vacuumed carpet. We’d kneel before the collection as she towered above. Which one speaks to you? Pick something to remember me by.
In the final months, everything was labeled, accounted for. Pink sticky notes went to the children, green to the grandchildren, and blue were for us, the great grandchildren. We each got a stack of blue sticky notes, a pen, and two hours to claim our inheritance. She watched us from the wicker chair beneath the elephant-in-a-bowtie painting. Initial your sticky notes, don’t be greedy, no ink stains on the carpet.
The youngest among us chose toys, stuffed animals, the deck of cards with two elephants for jokers. My brother, always pragmatic, laid claim to the valuables. The solid gold set of elephant earrings with pearls for eyes. Great grandmother frowned. You better pierce your ears and wear those to the funeral. But she let him have them and even gave him the gold pendant to match.
I circled the condo with my pad of blue sticky notes, admiring each item like artworks in a gallery. The framed postcard from my great aunt’s safari vacation. The greeting card with a smiling elephant inside, signed by all of the cousins. Artifacts beloved but ultimately borrowed. I wondered who would get the ceramic mug with big, chipped ears: a gift I’d presented proudly years earlier, before I could even speak.
While the others perused the living room and kitchen, I retreated to the second bedroom. Dim and untouched, prepared for some nameless visitor. The only elephant-less room in the condo. Except, on the windowsill, a lone figurine. Five elephants carved from a single material. They stood single file in descending size order, attached from trunk to tail. A family. I turned them over in my hands. Light as plywood, strong as marble. Ivory, great grandmother said, from tusks, like teeth. The beautiful and gruesome fruit of slaughter. You can’t buy ivory anymore.
We were there on the final day. The great grandchildren. The grandchildren, our parents, must have been there too. But it was we, the great grandchildren, who huddled together on her bed, encircling our matriarch. We told stories and played gin rummy with the elephant playing cards. She didn’t tolerate cheating, and she never let us win.
Elephants remember their dead. They carry the bones to keep them close. We didn’t know it was the last day until there were no more days.
The secret about the elephants, she told me in confidence: I never even liked them that much. She never bought herself a single elephant. The first was a gift, the second a joke. The third made it a collection, and for the next fifty years she was never gifted anything else. Why not tell the family, enough elephants? She took a sip from the mug with chipped ears, shrugged. It makes them happy.
Vineetha Mokkil is the author of the short story collection, "A Happy Place and other stories" (HarperCollins). She was shortlisted for the Bath Flash Award June 2018 and was a nominee for Best Small Fictions 2019. She received an honorable mention in the Anton Chekhov Prize for Very Short Fiction 2020. Her fiction has appeared in the Santa Fe Writers' Project Journal, Gravel, Barren, Quarterly Literary Review Singapore, and Jellyfish Review among journals.
Tango With God
Phil found god. On Monday morning, he marched into the conference room, all fire and brimstone, and gave us the news.
None of us knew how to respond. I smiled politely. Luckily, I didn’t have to congratulate him because he avoided me at meetings. He would stare at the white walls or the giant blue screen in front of us when he asked me a question. When he bustled past my work station in the day, he looked right through me like I was made of smoke.
Drunk on a glass of flaming Jamaican rum, I had let him kiss me at the last Christmas party. One kiss under the gangly tree. One drunken misstep, but the man read it all wrong.
Phil went all out for his affair with god. Showed up at church every Sunday, went to confession, quoted the Bible to us heathens who needed saving. Let’s pray, he’d say, at the start of our morning meetings. Let’s praise the Lord. Head bowed, I sat across him, trying to keep a straight face. Bible quotes, typed in big, bold letters by Phil’s personal assistant, glowered at me from the wall.
Phil gifted us pocket Bibles with matching red covers. A gold trim ran around the edges, glinting when it caught the light. I shoved it at the bottom of my desk and never saw it again. Some people took it home with them. The rest threw the book in the bin when he wasn’t looking.
We started betting good money on how long Phil’s tango with god would last. He’d stuck with ‘save the Asian elephant’ for six months. Four weeks with his vegan diet. His obsession with oceans and the absolute state they are—his longest streak—fizzled out in a year.
All through summer, Phil clung to god. Leaves turned amber, light liquid gold. Phil’s eyes grew brighter in the autumn. He spoke in the feverish tone of a fanatic. Faith was his shield. God, his strongman. He felt invincible. Nothing on earth could bring him down.
And then the fire broke out in office on a windy Monday evening. When the alarm wailed like a banshee, all of us sprung up and shuffled out of the building in single file. Computer screens blinked at empty work stations. Fluorescent lamps flickered like dying men. The whole floor emptied out, but Phil sat hunched over his desk, fingers flitting over the keyboard, ignorant to the alarm, oblivious to our warnings. He was untouchable. His god would watch over him.
In about 20 minutes, when he stumbled out of the building, his eyes bloodshot, his sandy hair singed, he shook his fist at the blue black sky. “Damn you!” he spluttered, squinting at the heavens.
I pocketed a neat pile of cash that evening from my colleagues. I’d bet that Phil’s love affair wouldn’t outlive the autumn.
Maryse is the author of Heartbreaker, Rag, Northwood, and The Seventh Mansion. She lives in Chicago.
He cut his hand on the bottle cap. A grunt, a bird’s wing grazing the water, why do they fly so
low? Almost into the head of the boat. A lot of flesh had slapped against its white sides, in and
out. Keir lay on his back. Blood on the glass bottle. Big hard belly wired with gray and black hair
over which he rubbed the bottom of his beer, up and down, from his navel to the waistband of his
slim yellow Speedo. Sit on it, he murmured, eyes closed. You did. You spread the cheeks of your
ass as delicately as a woman in another era might lift the folds of her many skirts. Easing onto
the bottle. You fucked the neck of it while looking at Keir’s smooth lids, the eyes rolling
beneath. His mouth relaxed into his slack cheeks. Perfect calm. The water knocking at the boat.
It hurt. Oh well.
You thumbed the fish apart on either side of the slit. From gill to fin. Watery guts, not deeply red
like a deer, not so full of grays as a rabbit. Something blue in there. You dump the chum into the
bucket. A bigger fish will eat them. Guts to make more guts, Keir said, sing-song. Whistling,
loud, de-dum, de-dum, the sharpest thing over the lake. It raised the hair on your arms. He liked
to sing. And he could, too, very well. You looked at his sweaty throat, full of sinew. At the blood
forming the thinnest crust in the slit skin on his hand.
You were forty. Keir telling some big story in the bar when he saw you dropping quarters near
the cigarette machine. You turned to look. Plenty of stupidity in your long face. Hey, ugly shit,
he said, Come have a drink. You looked back to the cigarette machine and got all the quarters in
and you could feel the tears in the back of your nose before they got to your eyes. You didn’t
even smoke. You just wanted to pretend. Keir came up behind you and slapped the Pall Malls
out of your hand with one fist and caught them in the other. Ha! he crowed. The bartender
laughed. It was your bar. Not anymore. Keir tapped a cigarette into his palm and stared at it with
bright eyes in a broad, pink face. Like I said, asshole. Come have a drink.
You did. Next to his friends in a booth. Your knees tight together. You didn’t talk and no one
expected you too. You drank and drank, trying to keep your chin from trembling. Keir banged
the table, had the loudest laugh, a missing tooth. Your got dizzy, your head almost hit the floor.
He caught you by the shoulder. Drove you home.
Who’s that? he asked, about the shape in the window, watching for you. Sister, you said,
swallowing, head back against the seat. Keir’s belly clenched in a silent laugh. Shit, he said. You
live with that fat bitch and you’re how old. Dunno, you breathed. You were so drunk you could
not move your hand on the door. Sick from smoking half the cigarettes. Look, Keir said
suddenly, hushed, serious. Hooking his pinky through yours. Best friends. You passed out.
You didn’t cook them by the lake. Keir said he fried his in a pan, at his apartment, he said they
tasted very nice, kind of green. You asked what he meant by green and he just patted your
shoulder. Plenty of stupidity. What you ate on the lake was a tin of tuna spread on white bread,
dill pickles, barbeque chips. An entire bag. And the beer. Keir thought it was funny, eating the
tuna in front of the dead fish. How’s that, he said, flicking a chunk of tuna into an eye peering
from the bucket. The tuna stuck. Then he leaned forward, licked his cut thumb, thumbed the tuna
from the eye, and ate it.
You heaved the boat upside down on the grass. You didn’t have to tie it anywhere, no one was
going to take it. Keir kicked the rope hanging from the metal ring at the fore. For no other reason
than that cheerful violence that was in him was still drooling, hungry. You had to feed it in little
pieces. Your ass was sore but it wasn’t bleeding, you checked with the side of your hand to make
sure. He had laughed and laughed when you told him you were a virgin. But in a way he was,
too. That was, what, four years ago? Five? Afterward, when he could tell without you saying
anything that you were in pain, he did it a second time even harder. Eventually the pain broke
apart into something else. Like pieces of an animal scattered on the water. You sank into it. I’m
just a baby, I don’t know right from wrong, Keir said, in a child’s voice, panting in your ear. The
lake shuddering beneath the boat. You grinned helplessly into the flaked paint.
You put the fish in the cooler. Even the heads had to come off, which you suppose you knew
before you met Keir, but now you really know. He liked to make you do it. That’s it, he said,
when something unpleasant squirts out of the severed body. All fish have evil eyes, you thought.
Not on purpose. It’s just how animals look. When you first cut into the belly of a pike you saw
another white layer beneath the skin and you thought there was nothing more inside, just this
same white stuff, pure and not disgusting at all. But of course that was a dream.
Why do you have a boat if you don’t even fish, Keir had wanted to know when you showed him
the lake. You didn’t tell him about your idea of shooting yourself on the water. Pitter patter of
blood pocking the waves. You didn’t want to drown. You just wanted to fall back against the
boards and rock and rock and rock. But standing beside Keir you let this idea go. He could tie a
cherry stem in a knot with his tongue in less than sixty seconds, holding it between his teeth for
you to see, then spitting it at your face. You flinched and he said, What. Don’t, you said, wiping
your cheek, and he shrugged. Then winked. So many pink cracks punishing the dry lips he kissed
you with. The mosquitos eating your arms. Life running its hands all over you.
You walked into the house with tight, self-satisfied steps, as if holding some big secret in your
ass. Your sister looking at you. Lips pursed. Where’ve you been. Out, you said. Loading the
word like a gun. Aren’t you so special, she said, tucking a cold hot dog into the side of her
You spent the money saved for the gun on a shirt for Keir. It had all these fish on it, little ones, in
a tight pattern of gray on a field of yellow. You literal son of a bitch, Keir said when you gave it
to him, but he kept looking at the shirt for a long time, holding it in his lap. You bought this
where? he asked. You said you got it in a store that was not in a mall but all by itself, tucked
behind a lush wall of ferns. They even put the shirt in tissue paper and everyone, all the men who
worked there, said Amazing choice. Keir didn’t like to wear a shirt on the water but this wasn’t
for the boat, it was for a time when you wouldn’t be seen with him. The shirt representing you,
holding that big stomach in. An embrace. Does it fit, you said. He squinted at the shirt as he held
it up to the sun, which fell through the silk onto Keir’s face, turning it the color of butter. Yeah,
he said. It’ll fit.
You loved that little drop of blood on the boat. From his thumb. Which had followed the neck of
the bottle into your ass as he griped the back of your head and came with a face so red it was
about to burst.
You brought some cupcakes in a napkin on your 49th birthday and when it was dusk you
unwrapped them so carefully and spread them on the bottom of the boat. Chocolate and vanilla,
each with sprinkles. He picked the chocolate one and pushed it into your face. Chocolate’s your
favorite, he said. Rubbing it in. Frosting sliding over your nose, your cheek, up to your forehead,
painting your lashes. You’d told him the week before about a movie you’d seen where a man
spread butter on a woman’s ass before fucking her. Everyone’s seen that, Keir had said, You
think that’s some big deal? You stayed very still, even when a piece of the cake got in your
nostril. Keir smiled. Happy Birthday, dummy.
You did know he was married but separated and there were five kids in the same town who took
his side in everything against the mysterious wife. Yet Keir lived alone. When you caught more
than six fish you could see him doing the math, imagining the grill on his porch, him turning the
fish for his brood. You’d never seen his apartment but you could imagine it, how neat it must be,
because Keir was very clean about his truck and his things. Even his swim briefs were bright,
spotless, tight. You could see Keir struggling to put together in his mind a life where someone,
his kids or wife or whoever, was always enjoying the fish from the grill. But the fish were small
and you needed a lot of them to feed a party and he never caught enough for that. You tried to
help but he took the rod out of your hands and said, Watch me do it. The tip of his tongue
between his teeth. Barking when the line went taught and he knocked you in the ribs with his
elbow to gloat no matter how little the fish was. Watching between his knees as the fish bent on
the bottom of the boat. Look at that fucker. Doesn’t know what hit ‘em.
It was supposed to be your house, too, half and half, but you could not penetrate beyond your
childhood room. You let your sister fill every corner up with unopened boxes from the QVC.
Your bed was so small, a child’s bed, you had to tuck your knees up to keep your feet from
falling off the end. Not poor but living like you were which was part of the problem, someone
told you, a counselor, someone on the other end of a hotline. A problem of not thinking right
about how to be a person. When you learned how to fish you fed all the medications into the
toilet bowl one by one.
You did not want to keep meeting in the bar. So you told him about the boat and he said Look
I’m going to take us shopping. And true to his word Keir paid. At the glass case you touched the
little knives folded in on themselves. Some of the handles made of plastic, some of wood, and
one made, shockingly, of glass. You like it? he said. You nodded. He bought one, slipped it into
his own pocket, though it was yours. I’ll just hold on to it, he said. And that was the way it was.
He held on to everything.
You spent your life thinking that if you weren’t careful little bits of yourself would just fall off.
You shook all the time, stared at things, had wet eyes. The boat had been yours for years but you
had never put it on the water, you went every week just to look at it, like an animal in a zoo,
waiting for it to do something. Your parents had died. Nobody cared. When you brought Keir to
see it he flipped it over and shoved it into the water in no time. Just like that. He showed you
how to use the knife, saying, Deeper, dummy. The fish were everywhere. Their smell. Scales like
sequins on your knees, your cheek.
You didn’t meet his friends after that first time. He didn’t meet your sister, didn’t see your room,
didn’t show you his grill. The lake, the boat, the truck, that was all.
When Keir put his hand against the hood and bent double all you could say was, What’s wrong.
I’m dying, fucker, Keir said. Then he bowed his head and concentrated. On breathing or
whatever it was his body was trying to do. Hand above his briefs, that hairy hill of fat. What if
there was only white in his belly. That’s what it felt like, when you touched it. Gutless. Immortal.
It did not make sense. Keir was 57. All those evenings he dropped you off at your house and
watched to make sure you got the door open. At the threshold you turned, you looked for his
eyes through the glass. That was the mystery, his waiting there. His pleasure in making sure you
were safe. Now you would have to fish the keys from his bag and drive his truck for the first
time. The stick shift sticky in second gear, you would punish it from its groove the way he did,
by slamming the knob with the heel of your palm. With relish. But to where? Keir dragged by his
ankles to the overturned boat. The crushed grass and the shorts stained with dew. You put your
tank top over his white-blue eyes because you worried something would eat them. Before you
had time to come back with whoever would come back with you. I’m going to make the call, you
said, out loud. Waiting for him to answer, I don’t give a shit what you do. When in reality, he
cared about everything you did. The lake went still as bone. Oh, you dreamer. His sudden
whistle, de-dum, de-dum, cheerful as a robin, slicing the evening to pieces.
Based in Chicago, Bruce Owens Grimm’s haunted queer essays have appeared in The Rumpus, Ninth Letter, Entropy, AWP’s Writer’s Notebook, Iron Horse Literary Review, Older Queer Voices, Ghost City Review, and elsewhere. He is a co-editor of Fat & Queer: An Anthology of Queer and Trans Bodies and Lives, which will be published by Jessica Kingsley Publishers, an imprint of Hachette, in 2021. He has taught his Haunted Memoir: What Ghosts Reveal About Life workshop at StoryStudio Chicago and at Arizona State University’s Virginia G. Piper Center for Creative Writing’s Desert Nights, Rising Stars conference, which named him a 2020 Desert Nights, Rising Stars Fellow.
“Inventory of a Haunted House, No. 3”
I wait for someone to tell me I’m not allowed here. To tell me to go back to my own, less well-off neighborhood. But no one does. The logs blister against the flames in the fire pit. Crack and pop as they are consumed. I’m on the back patio in the crisp fall air with a classmate from the Catholic elementary school we attend. We are in the fourth grade. We have the same first name. We sit on thick square wooden stools. His mother and his older brother are with us. All of us are roasting marshmallows, which burst, ooze sugar, as we crush them between graham crackers.
Trees encircle the back of the house. They are not dense, not forbidding like the woods that run along the back of my street. Where I live nature fights against the asphalt and aluminum siding for space. Here, in this backyard with another family, there are jokes, laughs, easy conversation about the day without any sudden turns to anger, disappointment.
I yawn. I have difficulty sleeping at home, even at this age, and the cool night, the effortless sorcery of his family relaxes me, allows me to feel sleepy because I am comfortable here, safe.
We sit on the bottom half of the bunk bed flipping through his collection of Star Wars trading cards, his mother pops her head in to see if we need any blankets or anything else. “Don’t forget what we talked about, Bruce,” she points at her son. “You’re the top bunk.”
I’m nine years old, younger than my classmate who is already ten, but I’m taller and wider than him, husky as most adults called it then, so I assume the concern is that I’m too heavy for the top bunk, even one that looks expensive like this one. That this might be in reference to two boys sleeping on one mattress together doesn’t occur to me.
She closes the door behind her as she leaves. I hear another door close down the hall. Voices from the TV downstairs lift over the banister of the stairs. The ease from outside is still present inside.
Bruce flips through the cards. He’s told me he’s looking for Princess Leia because she is my favorite character. Whenever we play Star Wars on the playground at school, I want to pretend to be her because she’s the strongest, the funniest, the most capable. I don’t consider the difference in our genders and that boys are supposed to want to pretend to be men. It’s not until after snickers from the other boys that I remember the gender role expectations. But I stick with my choice. I can’t imagine being anyone else.
“Here she is,” Bruce hands me the card. It’s one with Leia from Return of the Jedi where she is in the Ewok community. Her long hair fully down for the first time in the original trilogy, the only trilogy we knew of then.
He gets up and flips the switch by the door to turn off the overhead light. A flood light that hangs from a wooden telephone pole by the driveway let enough light leak into the room to keep me feeling safe. At home, I have to fall asleep with my TV on. I cannot relax enough to fall asleep in the dark. I lay down, the card in my hand.
Bruce lays down next to me, tucks his arms into his chest so that we each have our own sides of the bed. We don’t say anything. I fall asleep.
I wake up.
Bruce is still asleep.
The seam between the dark floor and the flood light, somehow brighter, encroaches closer to the bed. I don’t know how long I’d been asleep. Minutes? Hours? There’s a crisp tap. Like long fingernails knocking against the glass one by one.
I rise up. Knock. “Bruce,” I whisper. “Bruce, Bruce.”
He doesn’t wake up, doesn’t even stir.
Knock. Knock. Knock.
I push myself to the end of the bed. I cross the line on the floor where the darkness and light meet.
Pebbles are hitting the window.
Below in the driveway is a boy with dark hair like mine. Like Bruce’s. The boy squats down to pick up another pebble from the driveway. When he stands up, the light hits his face in such a way that his eyes are lost in shadow. He seems to be similar in age to me and Bruce. He hooks his arm back to throw another pebble when he seems to notice me at the window.
I’m not afraid until he motions for me to come down to the driveway. I’m tempted. I want to know who he is and why he chose this house. Does he know Bruce? Perhaps from down there he thinks I’m my classmate.
He bats his fingers faster for me to come down.
Perhaps he wants me to invite him in.
I glance back at Bruce asleep on the bottom bunk.
Knock. His motions become quicker, angrier.
I run back to the bed. Burrow under a blanket next to Bruce, hoping, as I do at home, that being covered will keep me safe. The knocks stop. Attending a Catholic school means my brain is steeped in the supernatural. I’m convinced the boy in the driveway is a vampire.
What is a vampire? The classic definition: a supernatural creature that must drink the blood of others to survive. Most people think of Dracula or other popular culture versions of vampires. They’re all thin. They’re all longing for the love of their lives. I’m not interested in the romance of vampires. Folkloric vampires were not thin as we see in movies, they were according to Paul Barber in his book, Vampires, Burial & Death, bloated. Folkloric vampires were fat. They barely spoke, if at all. They were not charming. They were not what we expect from Old Hollywood or more recent literary and movie renditions. However, the need, the desire for blood remains. Many folkloric vampires didn’t hunt randomly when they crawled out of their graves in the middle of the night. They went home to their families for blood, for the chance to turn them into vampires too.
I’m on the edge of my parents’ bed, folding maroon cloth napkins my mother needs for a catering job her employer has booked. The triangular folded ones stacked neatly in the box they came in. My mother is not here. She’s at Tom’s house, a cook where she works, a friend. I should be reading Flowers for Algernon for my junior high English class. Instead I’m watching Roseanne as I fold, the unfolded cloth in a pile on the bed next to me. Roseanne and Dan are fighting, yelling and making jokes at the same time. By the time the episode is over they will make up, express their love for each other in some way. If only that happened in real life. Yet, I laugh.
Down the hall, down the stairs to the next level of the house, I hear the hiss and crack of my father opening another beer. He grunts loudly to himself. I hear him bang up the stairs. He appears in the doorway with his beer bloated belly. I look his way for a second, careful not to lock eyes with him. I turn my head away, towards the wall, to avoid triggering an incident.
Pink and grey dribbles that look like candle wax run down the length of the wallpaper in my parents’ bedroom. My aunt had once told me that her blood was pink rather than red.
I’ve been given a task. I knew my mother would be angry if I wasn’t done before she got home. The studio audience laughs at the show.
He moves so that he blocks the TV. He rocks back and forth, his arms folded across his bloated belly shelf. His face bloated too. He clears his throat.
“Get out,” he says. “My room.”
“No one thinks of this as your room,” I say.
He slaps me. The crack of his skin against mine echoes off the walls. My head turns from the force of it. My cheek feels swollen already.
I throw myself toward the door and into the hallway. No matter how drunk he is, he moves with the speed and force of the undead when he wants to strike. He pushes me. I fall to the carpet in the hallway. He grabs at the waist of my sweatpants. Pulls me along the carpet towards him. It burns my arms and elbows.
I kick at his hand and arm with my left foot trying to get free from his grip.
No matter how hard I kick, his hand is solid trap. He grabs at the waist sweatpants. Begins to pull them off.
I kick quicker, harder. I kick his face. He’s dazed for a moment. It’s an accident, but now I see a weakness, I see the full strength of my thick legs. I kick him in the middle of his face. Again. Again.
Blood oozes out of his nose. I kick again and he lets go.
I run down the stairs and run to the house next door. It’s a short distance but feels long. Fear tingles up to the back of my skull. He could grab me at any second.
I make it to the door. I ring the doorbell. Bang on the door. I shout, “help me.”
The TV glows blue in the crack of the curtain in the bay window. Someone is awake. I keep ringing the doorbell. Finally, the light in the foyer pops on. A shadow moves down the stairs. Our neighbor, Bobby, opens the door. He’s the adult son of the elderly couple that lives here. He seems as elderly as his parents with bushy silver eyebrows and gray hair.
He looks down at me through the screen door. I gasp out that my father hit me, may be coming after me.
He opens the door. “Quick, get in here.”
I follow him up the stairs to the living room. Gertie, his mother, sits on the couch. She motions for me to come sit next to her. “Bobby, get me a towel.”
She wipes my face and asks me what happened. I tell her. She tells Bobby to call the police. I start to cry.
I stay on the couch with her and we focus on the television. I daydream about living in a relaxing, easy environment as this house. I cannot tell how much time passes before the red and blue lights flash through the window. Bobby goes down to the door. I hear murmurs in the foyer.
Bobby calls for me.
Gertie nods at me. I go.
A police officer stands there with my grandfather. My father stands behind them, his face points at the ground, his shoulders are hunched. “I hear you let your emotions get the best of you,” the police officer says to me as he steps over to me.
I don’t know how to respond as I grip the railing of the stairs.
“Let’s go home,” my grandfather says. “Stop bothering these nice people.”
The police officer puts his hand on my shoulder and squeezes. “Listen to your grandad, young man.”
My father says nothing. He lifts his eyes towards me. He smirks. Whatever he told my grandfather, his father, and the police, they believe him. They won’t believe me.
Vampire as Ghost
The line between a vampire and a ghost. For most of my life I thought of them as two different entities. A ghost hovers, can walk through walls, and you only see them out of the corner of your eye. They can be in your house, your room, your bathroom. Anywhere. They can show up whenever, wherever they want.
Vampires have also returned from the dead. However, it’s their actual body not their spirit that has climbed out of their grave. Unlike a ghost, they cannot enter whenever, wherever they want. They must find a way in or be let in. Invitations don’t matter for folkloric vampires. There is a story Paul Barber cites in his book a place in Serbia where vampires are called ghosts. They stalk around in the dark and make their relatives feel haunted. Later, in the book, he relates the story of vampires in South Russia that can be invisible, saying, “…there is no difference, functionally, between the concept of invisibility and that of absence…”. Absence hurts. Ghosts are absence. Like a ghost, you may feel absence standing behind you. It will make you feel guilty. It will make you sad. There is no way to have a last conversation, even if it’s one sided when people are absent, gone. It’s scary when I feel the presence of someone, which my brain has labeled as my father, behind me. Since I can’t see him, I’ll never know for sure it’s him. I’m at the same time afraid it might be him. I don’t want to speak out, ask him to identify himself, in fear that there might be an answer.
This is not a typical response. Many people would be happy to see and hear from a dead relative. The families in those folklore stories who saw vampires could see their dead relatives. It must have been upsetting. Perhaps also a comfort. Even though they had changed, bloated, lusting for blood, the family member could at least see a person they had wanted to see again.
The trees have long needles hanging off of them instead of regular branches and leaves. Some of them have fallen and now layer the dirt walking path. I’m careful because despite having flip flops, I worry that the needles will stab me. Tree roots have broken out of their graves and wait to grab my ankle, to make me fall, I imagine. The path feels dangerous. I keep my focus towards the ground. But I can see my father’s calves, his feet, enough to know that I’m not lost. He walks at a pace that he is only a few steps ahead, leading the way to the pool. I’m young, small, no more than four or five years old. My grandparents have taken us with them to visit friends who live in a RV complex. If there are other people around, I cannot see or sense them. It’s only my father and me.
Dirt transforms to concrete. A mixture of sour chemical chlorine mixes with the sweet, almost maple, scent of the green leaved, gray branched trees around the pool complex. I jog down the covered pathway, past the closed concession stand as my father signs in on the checklist posted on the wooden wall of building that forms the tunnel.
We have the pool to ourselves. I don’t even consider the lack of people around us then, at that age. Later, I will understand that we visited during the off-season. Later, I will be told that we could only take this trip because my grandparents, my father’s parents paid for it because my father was often out of work and my mother’s waitressing job money went to some groceries or fast food meals during vacation. But I don’t think about who is paying for what as I jog to the edge of the pool that looks like a vast but contained clear ocean.
My father holds my hand as we walk down the stairs into the shallow end. The glossy water reflecting the grey clouds moving across the blue sky above. He lets go and submerges underneath the water to the deeper end. I doggy paddle because I don’t want my feet to make contact with the rough, spikey plaster on the bed of the pool. The skin on my feet crack and peel, have not become thick and rough like my father’s.
He emerges. His hair slicked back. His wet chest hair forms almost the shape of a bird’s tail against his skin. I’m a buoy that has attracted the attention of my father. He pushes his way through the thick water towards me. I don’t remember being afraid of him. He gets closer, and I reach my arms out. He picks me up out of the water, holds me close to him. I shiver from the cold water and the cooler, early spring southern air. He spins us around back towards the deep end.
“Throw me. Throw me.” I shout as my teeth clatter.
“Get ready to launch,” he says.
I’m both afraid to let go of my grasp on his shoulders, and excited to soar through the air. He throws me. I splash into the water of the shallow end. A little water goes up my nose. My feet push into the bottom of the pool. The puckered plaster pokes into my soft skin. Blood leaks out as I swim up to the surface. My head makes it above water, my hair matted down to the top of my forehead. My father pushes through the water towards me. He smiles. I doggy paddle towards him.
“Again. Again,” I say.
Jordan E. McNeil [she/her] writes fairytales, rages at videogames, and takes selfies with goats. Her work can be found (or is forthcoming) at Curating Alexandria, The Arcanist, Arsenika, and Liminality. She can be found on Twitter, @Je_McNeil.
Grief is a palpable thing i can clutch from the air and hold, pulsing, in my hand, when i walked down the halls after a student took his life, when a kid from my sister’s grade did as well, when a family in the community lost a husband, a father, a child in an automobile accident, when another from a different community lost their mother to one as well, when a roommate lost her dad, when Robin Williams, Alan Rickman, Bowie, Carrie Fisher, Debbie Reynolds, Chester Bennington and people took to the internet to grieve, because where else can they share this emotion over people they never really “knew” but loved deeply anyway. i cut the grief into slices and placed them one by one into my mouth to chew for eternity, for grief is not a fast emotion, but slow like molasses, sticky like saltwater taffy but rarely sweet.
i have experienced far too much grief for someone my age, and societal normalized jokes about loss about death about suicide are not funny to me anymore. If you tell me you want to jump off a bridge, i’ll believe you, and you bet your ass i will comment on that post saying “don’t” saying “i may not be much help, but wanna talk? want some cute animal videos?” saying “i may not know you, but i will notice your absence, i will grieve you, you are not alone, how can i make you believe that, please believe it.” while anxiety burns in my chest, while my heartbeat races because my mental illness also manifests as worry, as what-if worst case scenario pessimistic as hell and what-if that tweet is not a joke, what-if i’m not able to help because heaven knows i’m not qualified. i’m just a girl, barely out of teens it seems, with atypical neurology herself, what am i supposed to do but reach out and pray i won’t have to see others grieve again and again and again, pray that you’ll believe, pray that for once beautiful starlight can stay on this earth, for we are all made of star dust.
Hannah Cajandig-Taylor resides in the Upper Peninsula, where she is an MFA Candidate at Northern Michigan University and an Associate Editor for Passages North. Her prose and poetry has appeared or is forthcoming in Gordon Square Review, Drunk Monkeys, Third Point Press, Coffin Bell, and Sidereal Magazine, among others. She has a bike named Stella and enjoys murder documentaries.
On your eighth birthday, long before you were in love with weather, your dad took you to Big Surf Waterpark because your parents had just gotten a divorce, and you found out on the third of July, which you used to recognize as an anti-holiday, but now you just don’t recognize at all. You slouched in a bloated inner-tube, floating down a lukewarm lazy river, clouds popcorning in the humid sky. You were afraid of the tallest flume, the yellow painted tunnel in which your body would twist and turn before being dropped into a deep pool, and only took the ride to prove yourself wrong—that your fear would not pull you under with it.
When you parents sold the house you grew up in, you cried about the real estate agent’s insistence on painting over the abstractly ugly bathroom wall. One evening, you scratched out a four page essay with poorly drawn graphics that defended said bathroom wall. Said you saw other worlds in it. Saw the head of a wolf. A dancing voodoo doll. A boat with paper sails.
Nobody else saw your worlds.
You were anxious. Had trouble adjusting. Couldn’t keep track of homework assignments. Cried for three hours in the fifth grade because you forgot your backpack at home and had a meltdown in the bathroom. Moved into a sun-colored house. Called your mom when she was at work because the landscapers across the street looked like bad people, and you were sure they were going to break into your house, and nobody else saw that world either, because they weren’t bad people and your brain was in overdrive and it was sad and you were doing the best that you could.
Tornado sirens gave you panic attacks. Panic attacks gave you panic attacks. Your sister’s boyfriend hung himself. A boy touched you and it was okay. You were a storm warning, breaking however you could. During freshman year of college, you almost failed out halfway through spring semester because you were scared of touching doorknobs because what if you got ebola and died and what if that spot on your upper leg was cancer and what if you have head lice and what if there is no world after this one is over. That year, you saw a psychiatrist. Started taking medication. Finally lost your virginity. Wanted to spill your soul to somebody. Your parents were married to different people.
You wrote a poem about stratus clouds and didn’t hate the thunder of your own voice. Began jotting down birthdays in your planner. Broke up with your high school boyfriend. Adopted a dog. Got sick after pounding a red solo cup of cheap vodka in your best friend’s living room. Studied the names of your favorite constellations. Saw lions and planets in the unclaimed stars.
The falling sky loved you back. Watched you write letters to your eight year old self. Wept when you wept. You were alive for another birthday, and when you finally got an actual night’s sleep for the first time in weeks, you nightmared over water slides and wind storms and fireflies and airplanes and dark wine and a girl who might have been you, but you still can’t remember her face.
Marisa Crane is a queer writer whose work has appeared in The Rumpus, Wigleaf Top 50, Hobart, Jellyfish Review, Pithead Chapel, and elsewhere. She is the author of the poetry chapbook, Our Debatable Bodies (Animal Heart Press, 2019). Originally from Allentown, PA, she currently lives in San Diego with her wife.
Outside The Joint, I bent down to pet a stray cat that looked like a moldy loaf of bread, which is what I told the cat right before it hissed in my face. Rank said hurry, we’ve got to keep moving and did I know that the feline had herpes? When we made it a few blocks away he pulled a bottle of Cholula out of his jacket pocket and smiled this cheesy smile. I hated him not because he stole hot sauce from restaurants but because he didn’t trust me enough to tell me in advance. I wanted to be in on the plotting and execution. Stealing was a family tradition. My dad stole my other dad from a woman and my brother stole years from my sister’s life, only he didn’t call it stealing, he called it brotherly love. I once spent an entire year shoplifting tiny spoons from antique stores to remind myself that I could follow through on something—I wasn’t a goldfish like my ex-girlfriend, Caroline, had suggested when I quit my fifth job in three months.
How many parent’s lives have been disrupted by a child winning a goldfish at a school festival? My dads accidentally killed Mr. Fishy Fish when they replaced the murky brown tank water with clean water. Mr. Fishy Fish wasn’t the first being to ever die from shock but he was the first that I knew of, which made my suffering feel unique. My brother destroyed the cardboard tombstone I arranged in the front yard then we smoked Black & Milds in the basement and found different household products to huff. He said sorry in the same silky voice that he usually reserved for my sister.
Back at the apartment I opened the refrigerator and changed my clothes behind it while Rank stuck his thin, squirrelly tongue in the peanut butter jar. Someone had planted cameras in my apartment while I was at work. I knew this because I began receiving strange texts from an unknown number. They didn’t exactly come out and say they’d planted cameras, but the texts were way too specific to be a coincidence. How did this person know I had run out of blue cheese? What gave them the right to comment on my numerous blackhead extraction tools? How did they know where to find my missing vibrator? Why did they find joy in making fun of my nighttime retainer?
I hadn’t the faintest idea as to who was watching me. They gave me a different name every time I asked. All I knew was that there were cameras and that I’d much prefer that there weren’t any cameras. I considered moving, but I feared that if I did then I’d be forced to face the fact that it wasn’t the cameras that were holding me back.
“You think it was the delivery man?” asked Rank, staring at a spot on the kitchen ceiling where there was most definitely not a camera.
It was clear that he didn’t believe me but instead of telling me that he was concerned about my mental health, he’d decided to play along with my alleged delusion. He didn’t even trust me with my own brain. No doubt he thought the text messages were a part of some elaborate scheme I was pulling, despite the fact that I was famously lazy; putting a fitted sheet on the bed required enough exertion that it met my work quota for the entire week.
The problem was that now that I’d let Rank in, I didn’t know how to get rid of him. Getting rid of people I loved was easy—I did that all the time—but people I hated? I stuck to them like chewed-up gum on the bottom of a middle school desk.
“Leave Benji out of this,” I said and he laughed a graceless laugh.
“You would have frozen if I’d told you, you know you would have,” said Rank, running his hands through his blonde locks, probably proud as all hell that he picked up on my irritation about the hot sauce. I’ve learned that there is no such thing as a humble empath. There is only a person who has read a few self-help articles they found on their Facebook feed and decided to abuse you with them.
Benji was the one who delivered my deep fryer every other week. My three friends and I shared custody of a deep fryer and Benji was decent enough to get it where it needed to go every Monday. I usually rewarded him with deep-fried crickets, only I told him they were carrots.
“I can do so many courageous things with this hot sauce,” said Rank.
“I wish you’d use that courage to describe me in five words,” I said.
He huffed and placed his prize in line with all the other hot sauces he’d stolen when I wasn’t looking. He was quiet for a while then raised his fist and counted the words on his fingers as he spoke.
“Needs a pair of stilts,” he said, triumphantly.
“What the hell. I’m taller than Mugsy Bogues,” I said, reciting what I knew from my childhood spent watching Space Jam on repeat.
“Alexa, how tall is Mugsy Bogues?” Rank shouted at the robot living in our house.
“How many packs of Huggies would you like?” Alexa responded. I thought I detected a hint of sass in her voice. I gave her an air high-five then quickly shielded my face from the camera in the cabinet. Two seconds later I received a text that said, “Dump his ass.” Then another: “Do me a favor and ask Alexa if she’d like to be my date to a work party.”
I’d initially been attracted to Rank because of his sideburns. Actually, that’s a lie—the reason we fucked in his car outside Alibi that Sunday afternoon was because he’d told me he had a statue of himself in his backyard. I’d thought, great, nothing to worry about here, while his black leather seats burned my ass cheeks. When he was about to come he begged me to call him an emperor and instead I gripped his butt and told him he was about to have a successor, clenching my vagina muscles to slurp the sperm up.
“That’s not funny,” he said, pulling out after a brief struggle.
That was when I noticed the tattoo across his collarbone that said: “Done With Everyone.”
On my walk home I called my dads and told them I finally met someone I deserved. They had me on speakerphone so everyone at their dinner party learned that I thought I deserved someone who was considering switching his major to Meme Studies. “A lucrative business” was what Rank had called it. My brother was back in prison so I thankfully didn’t have to pretend to care about his nonexistent pro tennis career. Dad said he was happy for me and Papa told me we would discuss this later, which meant he’d make the two-hour drive just to sit in my parking lot and forget about the getting out of the car and seeing me part.
Rank disappeared into the bedroom and returned with Braxton, his stuffed koala. He held Braxton next to his cheek and took a selfie with as many of the hot sauces as he could squeeze into the frame. This is what I was living with. I swallowed hard, my stomach threatening to rebel. He looked at me with this peculiar hopeful look. It took me a second, but I knew that look. That was the look that said, In spite of everything, do you still love me?
A text from the unknown number: “Call me basic, but Frank’s Red Hot is my shit.”
I couldn’t take it anymore. I leaned over and vomited in the sink all over my collection of tiny spoons. Hovering there for a while, I wondered if that was it or if more parts of me wanted to move from the inside to the outside. My sister’s save-the-date glared at me from atop a pile of bills and circulars. She was smiling an easy, J.C. Penny smile at her fiancé, a vanilla dud with disturbingly good posture. I was dizzy and terrified. To categorize this terror: I wondered, why does no one look at each other in real life the way they do in engagement photos? What exactly are they looking at anyway? Promise? Security? Attachment? If I didn’t do something and fast, I would wind up in one of those photos—me, Rank, and Braxton.
“You okay, babe?” said Rank, coming up behind me and rubbing my upper back.
His touch felt slimy, like that of a costumed character at Disney World.
The second time we fucked he came in my belly button and said, “Sometimes I’m too in love with you to speak.”
His mouth tasted like the Eucharist.
I started to cry because I loved him too and it wasn’t fair, having to love someone.
The next day the cameras appeared and I was too embarrassed to find out what happens in the final season of Vampire Diaries. The last thing I needed was this stranger’s input.
That was three years ago. Sometimes it feels like it all happened to someone else.
I wiped my mouth with a marinara-stained kitchen towel. The numbness in my face crept down my spine and into my arms. I took one last look at Rank’s wood-chipped face, grabbed a six-pack of hard cider, and ran out of the house. If he said anything, I didn’t hear it. I plopped down in the grass and opened a cider, spilling all over my lap. Then I opened another. Then another. The unknown number texted me asking me where I’d run off to. “Your man is building a fort,” the stranger said. “Why didn’t you ever think of that?” I sent them the emoji of a levitating man then chucked my phone in the bushes.
A woman in overalls was walking her black and tan wiener dog around the courtyard and cheering every time he stopped walking to point at something with his front paw.
“We’re so evolved,” she cooed, taking a video.
“What’s he pointing at?” I asked from my position in the grass. Legs spread wide, welcoming the world in.
“Dachshunds point when they’re hunting. It means they’ve found something,” she explained.
Her eyes looked spooked.
“Yeah but like, what did he find?” I said.
“Hell if I know, lady,” she said, tugging on the dog's leash so he’d follow her to safety.
I jumped to my feet and caught up with them. I didn’t like being called lady, and I found it rather rude that she didn’t care what I liked. “It just doesn’t occur to people,” Rank had once said, defending an antique store employee who’d called me “girl,” as in “Hey, girl,” when I’d entered the store. That was the first place I ever stole a tiny spoon from.
“Do you mind?” I said, ripping the leash from her hand. She opened her mouth as if she might scream but she didn’t.
The dog and I took off running down the street and into the woods. Soon we could no longer hear the highway traffic. The night fell. The moon spilled into my hair. I followed him wherever he wanted to go. I trusted that he knew what was best for us.
The third time Rank and I fucked, I said, “Let’s run away somewhere,” and he said, “What would we do that for? Europe has even more McDonald’s than here.”
The dog and I walked for years and years, his nose pressed to the ground and long brown tail curled in a U. My feet bled. My knees gave out. My spine folded in on itself. And still, the fearlessness of this new world stuck to my clothes like burs.
He stopped to point at trees and squirrels and holes and owls and blue jays and condoms, both used and unused, and beer bottles and wine labels and cigarette butts and diary entries and raw chicken and cardboard boxes and scrap metal and cut-up credit cards and old sneakers but no tiny spoons. He pointed to everything he could. The world was full of things no one wanted anymore.
I had a birthday every day. And every day I asked the dog, “Did you remember to look up today?”
He did, was his answer every time. Then he’d point in the direction of my family and whimper. I wondered what they were stealing now. If it counted as stealing when they were still unhappy.
The last time Rank and I fucked, I didn’t make a single sound. I tried to pretend that I was the statue in his backyard. Eventually, I said, “Call me emperor, bitch.”
He raised his fist like he was going to hit me but at the last second, he punched the pillow beside my head. That type of disappointment excited me.
He said, “You didn’t invent depression, you know. Your parents and your parents’ parents had it too, only they called it laziness or like, the flu.”
Today I turn 10,000 years old.
I lean on a burnt tree, brushing its white flaky bark.
“Why are dead trees so beautiful?” I ask the dog, who is busy digging a hole at its base.
I kiss the dead tree until my lips bleed. Then I kiss it some more. It’s the only thing I can think to do.
The dog follows the trail of something, sniffing loudly and aggressively as he zigzags. He disappears into a thicket of trees then returns with a red wig covered in spider webs. He drops it in front of me and grins a stupid grin that reminds me of Rank. I put it on and sing myself a song that has neither the word “happy” nor the word “birthday” in it.
I feel so alive I am almost certain I must be dead.
After I blow out my candles, the dog lifts his stumpy little leg and for the first time in 10,000 years, points directly at me.
The Boyfriend Story
Shifra Sharlin- Potluck
Zach Peckham- Cryptobiosis
Alina Stefanescu- Someone Failed This Man
Rachel Cochran- Girls Kissing Girls
Teresa Milbrodt- Body Painting
Sarah Cavar- Again Soon
Tango With God
Maryse Meijer- ESSEN
Bruce Owens Grimm- Inventory of a Haunted House, No. 3
Jordan E. McNeil- What i Mean When i Say Empath
The Life Cycle of a Storm Cell Lullaby